As all married people do, Mr. Blandings and I have a short hand. “Dude,” is one, but we have another that comes up fairly often. There are people, well-known people, with whom I become convinced that I would be friends if only our paths were to cross. The first time I described this I said, “If we sat next to each other on a plane I think we would be friends,” and that is the measure, now, to describe my connection to someone. Someone famous or at least famous-y.
One of the things that intrigues me about movies is the process. I checked in with Mark Ricker, who was the Production Designer on Julie & Julia, and he explained how the sets evolved. “(The Production Designer) is one of the first people hired once a film gets the green light. Typically the relationship with the director grows out of conversation, research, shared ideas, art, references, etc. Nora is very involved. (She) is very good at knowing spacial relationships, camera angles in her head and other devices.”
I asked Mark if he ever develops a crush on something they have gathered for a set. Let’s face it, he’s a designer. “Production Design,” says Mark, “is a combination of the best of visual fields: Architecture, Interior Design & Decorative Arts, History, Film making, Storytelling, Photography, Landscape Design, Travel..” As for the crushes? “It always happens. Shopping for the set dressing on a film is a combination of buying with characters in mind, but through the filter of personal taste. It is inevitable that certain pieces become fodder for crushes, and I always end up with a trinket or two.”