Tag Archives: design books

The Great American House

“Mom, can you do me a favor?”

“What’s that?”

“Can you pour the milk right into the center of the cereal?”  I looked up, standing in my pajamas and slippers, the simple white bowl filled with still-crunchy cornflakes, rested on the marble counter.  He looked back at me with blue-eyed earnestness.

“Does it matter?”

“A lot.  Don’t worry, Dad does it wrong, too.”

And try as I might, it was difficult to be annoyed because his needs were so exacting. That intolerance for the just-not-quite-right is not a latent gene, but a product of both nature and nurture.

This attention to detail and devotion to exactness are shared by architect Gil Schafer.  My files are filled with tear-sheets of Mr. Schafer’s work and I am happy to have many of these images captured handily in his new book, The Great American House; Tradition for the Way We Live Now.

The book holds not only pictures of the gracious buildings themselves, but the interiors by noted designers such as Miles Redd, Michael Smith and David Netto.  For the true devotee, elevations and drawings of both floor plans and garden plans are plenty.  In addition, Schafer offers candid perspective on renovating and building; this advice would be handy for anyone looking to start from scratch no matter the aesthetic.

This is a remarkably good book season; plan accordingly (some birds large, medium and small have mentioned to me that there is a gift-giving holiday just around the corner.)  The Great American House, available here, should be on your list.

All images courtesy of Rizzoli, New York; from top photography Paul Costello; design, Schafer in collaboration with Miles Redd, photography John M. Hall; photography Carter Berg; design, David Netto, photography Jonathan Wallen; landscape design Deborah Nevins, photography, Schafer.

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By the Sea, By the Sea, By the Beautiful Sea

We’ve been back from the beach for two weeks, but it seems like ages.

People keep saying things like, “It’s as warm as Florida here!”  And it is.  And I don’t want to sound contrary, but there’s no ocean here.  It’s lovely, but not quite the same.

On the last day of our vacation I received an email from a friend who was jetting off to Japan.  “I am too tan and too blonde,” I told him.  (I cannot say “no” to the sun.)  He shot back, “Wear blue – it fixes everything.”  I did, and he was right.

If cerulean shades are helping, so too is Rooms to Inspire by the Sea.  The books in the Rooms to Inspire series are personal favorites, and I think will prove themselves to be classics.  This particular edition is near and dear as I find beach houses irresistibly appealing.

You will find some favorites (of mine if not of yours): Peter Dunham for Susan and Spencer Croul, India Hicks and David Flint Wood and Tom Scheerer.  There are homes you might not have seen such as John Derian’s in Cape Cod, which I think was featured in World of Interiors and Olivier and Zoe de Givenchy.  You can see more here and Courtney Barnes has given the book nice attention on Style Court here.

All images Tim Street-Porter.  The homes featured are, from top India Hicks and David Flint Wood (both the first and the second,) Richard Shapiro and the final two Dunham. 

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The Joy of Mrs. Howard

Other than Brooke Shields and Phoebe Cates, I was never aware of models by name.  Not until I lived with three cheerleaders in college was I introduced to the concept of “super model.”  I came into decorating the same way.  I read and I tore and I saved, but it took a while for me to begin to recognize designers.  That mirror, above, did it for me with Phoebe Howard.

From a long ago Southern Accents feature, that mirror introduced me to the world of Mrs. Howard, Phoebe’s shop, and the amazing work that she and her husband, Jim, both do.

It’s a world of casual elegance, of relaxed refinement.  Many people seem to be yearning for pretty rooms, uncomplicated beautiful spaces.

Phoebe’s work combines a traditional foundation with an understanding that we have evolved; mid-century tables, fresh fabrics and contemporary art co-exist beautifully in her spaces.

And now we don’t have to wait and hope for a magazine feature.  Phoebe has published a new book, The Joy of Decorating; Southern Style with Mrs. Howard and she is offering Mrs. Blandings’s readers a discount.

If you buy the book from her site HERE and enter the code MBJOD you will receive the book, normally $50 at 20% off (that’s $40 for the math-challenged.)

Another bonus for ordering from the site is that you will receive a prize.  Included with the book will be Mrs. Howard’s Favorite Paint Colors, which is a handy little supplement organized by palette for wall, ceiling and trim.

All images courtesy of Mrs. Howard.

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Cut and Paste

Over the last couple of years I’ve noticed an increasing number of decorating books being organized by room.  This results in a parade of entry halls, living rooms, dining rooms, bedrooms and on.  It comes off as a sort of scrap book, disjointed images of a common theme cobbled together on large pages.  Like printed Pinterest.

I am confounded.  I have a few books that are organized by color and I have found these handy when casting about for inspiration or stumped by combination.  Southern Accents on Color comes to mind and I still refer to it nine years after I bought it.  Others, focusing on one object or another – chairs, wallpaper, curtains – serve as handy reference books.

But finding a catalogue of living rooms leaves me cold.  Worse still if I know that all the rooms of the house are, indeed, included, leaving me flipping back and forth trying to piece the puzzle together.  It’s like meeting someone at a cocktail party and visiting for ten minutes, “Well, she seems nice.”  A fleeting impression, but no depth, no perspective, no relation.

Seeing the house as a whole allows me to see it better.  Seeing how each room relates to another shows me how the decorator tackled the challenges that the space presented, shows me where and why he chose to make a statement and where he chose to take a breath and demur.  Having the house portioned out creates that often jarring experience one has at show houses; no common thread.

Beyond that, it shifts the focus from home to things.  Perhaps this is the crux of the matter and it matters only to me.  I think homes tell stories.  True, some tell sad and neglected stories and some tell desperate and pretentious stories and some tell heartfelt and lasting stories; they all speak to me.  When there is no narrative, when we don’t know that that particular African mask was brought back from the bachelor’s grandfather’s grand tour or if it was uncovered at a Paris flea market or simply received a good sanding after its purchase at Pier One, it is just a thing.  It tells us nothing.

I look to all this stuff, the books, the magazines, the style sections and sites to open my eyes to how to do it better.  Not just decorate, but create a home for my family and friends.  When I see those rooms all lined up like shoebox dioramas on a schoolroom shelf, it makes me want to open my scissor and drag the blade along the fold; to set the house in order.

Image, Pablo Picasso, Studio with Plaster Head, 1925.

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Winning Mr. Gili

More than once in the last week someone has mentioned to me the experience of sitting down with a design book – cozy chair, good light and hot tea – to read and to dream.  These books offer us both concrete inspiration and magical escape.

I am happy to give, in conjunction with Rizzoli, a copy of Oberto Gili, Home Sweet Home, to Karen, whom I have contacted already.

Image courtesy of Rizzoli New York by Oberto Gili from his book Home Sweet Home.

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